By Hunter, Dan; Lobato, Ramon; Richardson, Megan; Thomas, Julian
The increase of net 2.0 has driven the beginner to the vanguard of public discourse, public coverage and media scholarship. ordinarily non-salaried, non-specialist and untrained in media construction, novice manufacturers are actually obvious as key drivers of the artistic financial system. yet how do the actions of citizen newshounds, fan fiction writers and bed room musicians connect to longer traditions of extra-institutional media production?
This edited assortment presents a much-needed interdisciplinary contextualisation of novice media
before and after net 2.0. Surveying the institutional, financial and criminal building of the beginner media manufacturer through a chain of case reports, it beneficial properties contributions from specialists within the fields of legislation, economics and media experiences established within the united kingdom, Europe and Singapore. every one component of the publication features a particular case learn on a particular subject, by way of additional items offering extra research and remark. utilizing a rare array of case reviews and examples, from YouTube to on-line video games, from subtitling groups to fact television, the e-book is neither a party of beginner creation nor a denunciation of the death media industries. quite, this booklet offers a serious discussion throughout legislations and the arts, exploring the dynamic tensions and interdependencies among beginner artistic creation. This e-book will entice either lecturers and scholars of highbrow estate and media legislation, in addition to to students and scholars of economics, media, cultural and web stories.
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Additional info for Amateur Media : Social, cultural and legal perspectives
Also controversial are the government secret cases where courts have been inclined to support government interests against those of whistle-blowers, 20 Amateur media notwithstanding their insistence that governments have a higher burden to demonstrate that the overall public interest lies against making the material public. An example is the Spycatcher case, in which former MI5 agent Peter Wright, who had written a critical exposé of the operations of the British Secret Service during his employment, was said to be under a ‘life-long’ obligation of conﬁdence; and the British newspapers which sought to publish extracts from his book were only exonerated from liability on the basis that the information was by then in the public domain having already been published in the US and available in Britain (and the Sunday Times, which published extracts earlier, was held liable and a full account of proﬁts was awarded).
An example is the Spycatcher case, in which former MI5 agent Peter Wright, who had written a critical exposé of the operations of the British Secret Service during his employment, was said to be under a ‘life-long’ obligation of conﬁdence; and the British newspapers which sought to publish extracts from his book were only exonerated from liability on the basis that the information was by then in the public domain having already been published in the US and available in Britain (and the Sunday Times, which published extracts earlier, was held liable and a full account of proﬁts was awarded).
The peer-to-peer service provider’s subversive culture of encouraging users to ‘join the revolution’ was emphasised in the judgment of Wilcox J in the Kazaa case, together with the fact that the peer-to-peer service’s advertising revenue was derived from websites whose trafﬁc was in large part provided by illegal downloads. 20 Yet despite these recent developments, which seem to point in the direction of increasing protection of content providers, the point remains that those providers now increasingly operate legitimate (licensed) distribution models based on previously illegitimate and informal methods of ‘sharing’, simply centralised and institutionalised rather than peer sourced.